“An ordinary fable about Sinking” is a dual site-specific installation.    In order to unravel the story of the restless life and the uneasy death of Mr.Fox, through the idea of psychogeography, this work invites the visitors to drift purposefully f
       
     
 Photo: Emiljia Jefremova
       
     
       
     
       
     
       
     
       
     
 “An ordinary fable about Sinking” is a dual site-specific installation.    In order to unravel the story of the restless life and the uneasy death of Mr.Fox, through the idea of psychogeography, this work invites the visitors to drift purposefully f
       
     

“An ordinary fable about Sinking” is a dual site-specific installation.

In order to unravel the story of the restless life and the uneasy death of Mr.Fox, through the idea of psychogeography, this work invites the visitors to drift purposefully from one site to another.

Photo: Emiljia Jefremova

 Photo: Emiljia Jefremova
       
     

Photo: Emiljia Jefremova

       
     
An Ordinary Fable About Sinking- Life Part

I found a long since dead animal in one of the buildings, a former pool, and its serenity in its death enticed me. The sad fact that the place that it took for a refuge also became its own mausoleum, struck me as an uncanny resemblance to life of thousands of souls lost at sea.

The overly sound of horse auction, has been recorded during my residency at Interface.

       
     
An Ordinary Fable About Sinking- Death Part
       
     
Falling in Love Outward

Film by Barry Ryan

Falling in love outward is a site-specific, international exhibition curated by Alannah Robins

In the unique environs at Interface, a visual artists’ workspace in the Inagh Valley, Connemara, nine artists engage with themes of ecological devastation and repair.

Taking its title and impetus from The Ecology of Perception, an interview by Emergence magazine with David Abram, the exhibition urges a falling in love with the other than human as the only path towards ecological recovery.